Knowing me to be a big fan of Sherlock Holmes, whose birthday was just celebrated on January 6th, you'd think that I just can't wait to see all the new TV shows about him that are soon to be released. But I am fairly sure that we will not be seeing the same sleuth that we read of in the 4 novels and 56 short stories penned by Sir Arthur Conan Doyle. I was not a fan of the Netflix series in which Dr. Watson recruited children to fight supernatural threats because Holmes was too strung out on drugs. And I am not sure if I will enjoy the series that gives him a heretofore unknown daughter, despite the fact that I like the actor who will portray Holmes. And I really don't see the point of the one that is all about Watson fighting Moriarty alone after the presumed death of Holmes. The friendship of the detective and the doctor is at the heart of the stories. It would be like doing a Muppet movie with Miss Piggy but not Kermit. It's their chemistry we love.
Sherlock Holmes is the most portrayed character in film and TV. At least 72 actors have played the great detective but, as you can imagine, not all did a good job. And even before Doyle's death in 1930, fans have written their own Sherlock Holmes stories. And this fan fiction has been a mixed lot. Very few manage to deliver the whole package that we find in the originals: the recognizable characters, the sharp dialogue, the intriguing plots and the dramatic moments that will forever live in our memories. And frequently the new stories just seem like an excuse to put Holmes in a romance or put him up against a supernatural foe or have him solve the Jack the Ripper murders or have him travel in time. Occasionally the author does manage to pull it off and get the feel of the characters and Watson's narration and the atmosphere right. But authors like Laurie King, Nicholas Meyer, Lindsey Faye, Ellery Queen and Michael and Molly Hardwick are outnumbered by mediocre writers, who have more enthusiasm than skill. Usually such pastiches disappoint because they fail to capture the true spirit of Sherlock Holmes.
Our sermon suggestion question is “Why are some books not in the Bible?” By this I take it that the writer means, not the Apocrypha which is found between the Old and New Testaments in Roman Catholic and some Anglican Bibles, but other ancient books, like the Gospel of Thomas, the Gospel of Judas, the Assumption of Moses, 3rd and 4th Maccabees, etc. Scholars classify these books as pseudepigrapha, that is, books written by people who adopted the name of a prophet or apostle as a pseudonym to give their works authority. These books consist of retellings of Bible stories with a lot of legendary material added, apocalypses with lots of extra details not found in the Bible, as well as those banned gospels that the media, including You Tubers, makes such a fuss about.
Why didn't they make it into the Bible? It's like asking why the script for the 2010 film in which Sherlock Holmes fights dinosaurs was not included in copies of The Complete Sherlock Holmes. It's not only because it is awful. Even very good and fun pastiches like The Seven Percent Solution aren't included, because they weren't written by Doyle and they were done much later than the originals. When it comes to Biblical pseudepigrapha we know they are not as old because in many cases the language is different. All of the Old Testament books were written in Hebrew or Aramaic. If the oldest copy we have of a supposed Old Testament book is in Greek, we know it was written much later.
In most cases we can scientifically determine how old a manuscript is. We can also look at when the work was first mentioned or quoted by other writers. If the earliest mention of a gospel comes 100 or 200 years after the time of Jesus, it was not written by an apostle or his secretary or close associate. The 4 canonical gospels were all written before the end of the first century, Mark first and John last.
Then there is the subject matter of other would-be gospels, acts, epistles and apocalypses. They are not merely stories about Adam and Eve, Moses, or Jesus. They are very much like The Seven Percent Solution or Young Sherlock Holmes, in that they are origin stories. They are efforts by “fans” to give the untold origins of certain elements in the original stories, explaining or filling in details never provided in the canon of writings. (BTW, “canon” comes from the Greek word for a straight rod or measuring stick. It came to mean a standard or rule.) The two pastiches I mentioned give different explanations of Holmes' obsession with crime and with Professor Moriarty. A lot of the pseudo-scriptures do the same, giving us, for instance, fascinating new details of Mary's or Jesus' childhoods, and answering questions that generations of both believers and unbelievers have asked. They are obviously not equal to the originals but are dependent on the reader having a prior knowledge of them. This makes them read very differently from the originals. When C.S. Lewis, while he was an atheist, first read the gospels in the original Greek, he was struck by their artlessness. As an expert in classical literature, Lewis realized that the gospels were not well-written enough to be myths; they were closer to reporting. In a pseudo-gospel you are very aware of the hand of the writer in shaping what is said and done by the characters. They feel crafted by a storyteller, with none of the odd details one sees in real life. (Compare Mark 14:51-52. Nothing more is made of this person or incident. It doesn't help the story; it's just something that happened.)
The pseudepigrapha usually have a very clear agenda, one that goes way beyond the canonical gospels' purpose to spread the good news about Jesus. Some are pious fictions, written to defend the truth of the gospel by, oddly enough, making stuff up. Other gospels, like that purporting to be by Thomas, simply use Jesus as a spokesperson for the author's own religious ideas. Many promote Gnosticism, which held that the physical universe is evil and that only that which is non-physical is good. This contradicts the Bible which says that God made the universe and pronounced it good. (Genesis 1:31)
Still, who decided which books made it into the Bible and which didn't? It was not a single person or a small group but generations of believers. As Christians spread the gospel, they quoted certain books that they felt had authority when it came to the life and teachings of Jesus. They did this so much that if all the ancient documents of the New Testament were suddenly destroyed, we could still reconstruct them all except for 11 verses, using the quotations of them found in the writings of the early church fathers, the successors to the apostles. That's how revered they were and how authoritative they were considered, as well as how thoroughly they were studied and relied upon.
At first, there was no official list of the books of the New Testament. Ironically the first such list was compiled by Marcion, a wealthy heretic who set up a rival network of churches. He rejected the Old Testament entirely, saying the creator God of the Jews was evil. Only the God and Father of Jesus was good. Consequently his New Testament consisted of an edited version of Luke and ten of Paul's letters. This caused orthodox Christians to argue for the acceptance of the other gospels and the Old Testament. This in turn led to a discussion of which books should be accepted as authoritative when it comes to Christian faith and practice.
Of course there were other good Christian books that were also read and treasured: The Shepherd of Hermes, the First letter of Clement, the letters of Ignatius and more. So why weren't they included in the scriptures? Well, if Marcion's abbreviated, anti-semitic New Testament caused Christians to consider what books ought to be added to the canon, the persecutions under Diocletian forced them to decide what books should be subtracted. The emperor decreed that Christians were to turn over their sacred books to be burned. All the churches had to decide which books to keep (and hide) and which writings were of lesser importance and so could be surrendered to the authorities. Again, by this time there was no official canon of the New Testament but a general agreement emerged that the books to be saved were all 4 gospels, the letters of Paul, 1st Peter and 1st John. Some had doubts about the letter to the Hebrews, James, Jude, 2nd and 3rd John, 2nd Peter and Revelation, but eventually they too made the grade. So other popular Christian books were sacrificed instead to mollify the emperor.
What criteria were used to decide which books were considered sacred? The first was whether the writer was an apostle or close associate of an apostle, like, for instance, Luke. This is the reason that the 4 gospels and Paul's letters were recognized early in the process. In fact, the current arrangement of the New Testament pretty much follows the order in which the books were accepted into the canon.
A second criterion was whether the book in question was orthodox. “Orthodox” is just Greek for “right teaching.” Christians weighed in on whether the books being discussed were in harmony with the faith received from the apostles. This faith was summarized in creeds which were used in teaching, baptism and other liturgies. So books which rejected the idea that there is only one God, or that rejected Jesus as being both fully human and fully divine, or that rejected the teaching that we are saved by Jesus' death on the cross, were in turn rejected by most Christians.
Another criterion was the antiquity of the book. People back then may not have had the ability to carbon-date books but they were literate and they knew which books went all the way back to the early days of the church. This dovetailed with the final criterion, that of usage. Books that were and that had always been widely quoted by the church, and that were used in catechisms and liturgies, were given more weight.
Contrary to Dan Brown's The Da Vinci Code, and You Tubers ignorant of history, the first church council of Nicea did not create the canon of scripture in 325 AD. The process, as we have said, had already been underway for a couple of hundred years. The council merely affirmed the resulting consensus. And while it was pretty close to what we have today, it wouldn't be completely the same in all parts of the church, scattered all over the known world, for a couple hundred more years. So it was not decided hastily or by one person like the emperor. Councils were called, positions were debated, votes were taken. The voices of Christians and churches from east and west, north and south, were heard.
And the voice of the true Spirit of God was recognized in the books that eventually were collected, copied and distributed as the Bible. It was the holy and loving voice of the Lord who offers forgiveness and healing to those who respond to him. It was the voice of Jesus who challenged popular notions and the status quo rather than rubber-stamped them, as most religions tend to do. It was the voice of the God who audaciously acted to save his creatures at the cost of his own blood. That was the standard, the rule, the canon that the books of the Bible had to meet. You can read the ones that didn't make it online and decide for yourself. To me they mostly read like bad fan fiction. To those who do not merely see but who observe them, the differences between the books that resonated with the vast majority of Christians as getting the God revealed in Jesus Christ right and the ones that didn't get him quite right are, you might say, elementary.
First preached on January 10, 2010. It has been revised and updated.